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Plans for Summer and Autumn
World Theatre Training Institute AKT-ZENT / ITI

 

Dear friends and colleagues,

we are preparing intensively for our

XIV International Theatre Summer Academy

20 July – 4 August 2024 in Montecreto, Italy – a romantic mountain village south of Bologna.

Jurij Alschitz and Christine Schmalor are planning an intensive directing + acting laboratory. Participants from various European countries are already preparing for the work – but there are still a few places available.

What is this laboratory about? Jurij Alschitz calls it the view of the shaman:

“I have always loved the play’s clever analyses, the cunningly constructed labyrinths, the intricate weaving of scenes, the complex allusions, the abundance of contextual footnotes and quotations in role and performance. As a young man, I was fascinated by Hermann Hesse’s “The Glass Bead Game” for a long time, and engaged with the beauty of such “chaos” with sincere love and passion. As a young man, I was fascinated by Hermann Hesse’s “The Glass Bead Game” for a long time, and engaged with the beauty of such “chaos” with sincere love and passion. Was it because of this passionate play, or because I was satiated, or perhaps because I was growing wiser – I don’t know – but I began to feel a hunger for emptiness, which I eventually sought to appease with the minimalism of the East.

And this gave rise to the questions with which I decided to go to this year’s Theatre Summer Academy:

  • How can one calm down, how can one put an end to the fuss of the modern, constantly “acting”, “thinking”, “feeling” and “speaking” actor?
  • How to teach actors to appreciate one word, one action, one thought endlessly repeating with microscopic variations, but static and devoid of “theatrical” expressiveness?
  • How to condense/dilute the time/space of the actor so that the actor gives up the crutches that have already become obsolete – the “line of action”, “main events”, “conflicts”, “proposed circumstances” and so on?
  • How can one achieve that the text and the plot, which actors/actresses value so much, without which they cannot live, recede into the background and bow expectantly to what does not yet have a name, what is sometimes heard in the silence and appears in the void?”

 

From September we will continue online:

Jurij Alschitz

The School of Directing

with three online modules:

The Director Prepares
6 – 8 September + 13 – 15 September 2024

The Director’s Tools
8 – 10 November + 15 – 17 November 2024

Rehearsal Methods
3 – 5 Januar + 10. – 12. Januar 2025

Directors acquire essential knowledge how to develop and implement ideas for a performance, but also actors how to stage their roles, and theatre teachers how to use the art of directing in their pedagogical work. Here, directing is conveyed in its comprehensive meaning – as a world view, as an art, as a craft and as a tool.

The School of Directing is a 6-month intensive programme in three stages, with three modules. It is designed for participants to take part in all three modules. In between, they are given extensive assignments so that they can develop the expertise they have gained into their own methodology. In this programme, Jurij Alschitz practices the Quantum Pedagogy he developed, which is based both on impulses and on a holistic concept of theatre.

Everything about the content of the single modules and registration HERE

 

Christine Schmalor

Six Tools to prepare the Role

Sat 28 Sept | Wed 2 Oct | Sat 5 Oct | Wed 9 Oct | Sat 12 Oct | Wed 16 Oct
always from 14:00 – 16:30 UTC+2

In addition, one-to-one sessions can be arranged for individual coaching.

Secure early bird price until 1 September!

Six Tools is a course for the self-empowerment of actors.
Six Tools supports the artistic soul and integrity in the pragmatic world of theatre and film.
Six Tools offers a practical toolkit for joyful self-reliant preparation for the role.
Six Tools
is based on the School of Jurij Alschitz
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Preparing yourself for your next role is becoming increasingly important as rehearsal times get tighter. Whether in film or theatre, the director and the ensemble are happy when a fully prepared colleague appears. With their own ideas, with their own initiative, with suggestions for realisation and a vision of the role to be played.In this practice-orientated online seminar, you will learn essential tools and methods for preparing yourself thoroughly, discovering the role in all its beauty, becoming yourself the author of the role and starting the rehearsal/production well prepared.
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Jurij Alschitz Introduction seminar Jurij Alschitz
Exploration of ground-breaking innovations for staging practice and teaching

Holistic Theatre and Quantum Pedagogy

An introductory seminar for teachers, educators, directors, actors and all interested theatre artists.

Fri 11 + Sun 13 October always from 15:00 – 18:00 UTC+2

Secure early bird price until 1 September!

“I can explain the idea, the starting and reference points of physics, the underlying philosophy in one day. What you can do with it in theatre practice in another. The realisation, on the other hand, takes a long time, because it requires a fundamental change in consciousness, which everyone has to undergo. I am talking about holistic cognition and quantum cognition.

To undertake such a change of consciousness, we have to enter the experimental field of human existence, we explore what quantum mechanics means for the human being, the artist, when he or she applies its principles and mode of action to himself or herself. A new self-perception, born in the digital world, which is certainly already closer to the younger generation, connects us with cosmic laws, philosophical views and physical discoveries…” J.A.

For further information and preparation we recommend the brochure Jurij Alschitz: Ideas – Concepts – Proposals. Download free as pdf or order as print version.

Questions?

call

+49 30 612 87 274

mail

akt.zent@berlin.de

World Theatre Training Institute AKT-ZENT / ITI

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