Dear friends and colleagues,
The season is beginning, and we wish everyone a good start!
Our summer academy is extending into an online lab at the beginning of September, to which we warmly invite anyone who has already explored the topic of storytelling and is curious about new perspectives and experimental forms.
Here is our autumn programme, which will certainly be expanded to include a few more courses.
We look forward to the artistic encounters ahead!
LAB INTRO |
Storytelling outside the boxLab for contemporary narrative forms We are going to explore contemporary forms of storytelling, where classical structure gives way to fractality, the Mobius tape, intertwined realities and narrative spirals. My goal is to show you how to build multi-layered stories that continue to “live on” in the viewer’s mind long after the end – in infinity. Your goal: to learn how to create stories that reflect the non-linearity of modern perception of the world. J.A. The Storytelling Lab consists of three parts for those who want to put the new forms into practice: |
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2 meetings |
Jurij Alschitz Research Seminar for new Technologies of Acting Jurij Alschitz will talk about innovations in acting practice resulting from the application of quantum physics. At first glance they may seem impossible, but at second glance they show us the way to pioneering forms of acting. You can expect a seminar full of exercises, experiments and, above all, surprises. |
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6 + 13 + 20 October early bird price until 15 September! |
Christine Schmalor The SOLO course supports artists who are creating a monologue, a monodrama, a solo performance or their own devised theatre evening. Likewise it is aimed at all those who are currently taking a fresh look at their audition repertoire. SOLO 1 – Above All: finding my theme – opening all it dimensions – giving voice to my theme. SOLO 2 – The creative mind flow: Intertextuality – game and chaos. SOLO 3 – Composition: Building your fundament – your compass – your artistic language |
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8 meetings – online early bird price until 15 September! |
The Directcor’s Rehearsal MethodsJurij Alschitz Get the indispensable know-how for Directors, Teachers and Actors. The actor is the most important, but also the most complex, the most unpredictable material that the director encounters and has to deal with in the process of working on a play. Nothing can replace practice, but before we experiment with actors, we should know our tools. The true art of directing reveals itself in the ability to work with actors. You will learn about the Graph Method or Method of Constellation, the Storytelling-Method, the Touché Method, the Big-Bang-Method or Method of Explosion. |
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Alschitz School for OneThere are places available again – apply now! A programme created only for you. ⇒ the creation of your own artistic system as an actor or director. Questions? Welcome! Consultation by phone or Zoom. Apply with your CV and letter of motivation, and a Zoom interview will follow. |
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World Theatre Training Institute AKT-ZENT
Research Centre of the International Theatre Institute
+49 30 612 87 274 | akt.zent@berlin.de