Skip to content
World Theatre Training Institute AKT-ZENT/ITI

DE
EN
  • ABOUT
    • WTTI IN BRIEF
    • STORY
    • IMPRESSIONS
    • ARTISTIC DIRECTOR
    • PROGRAMME DIRECTOR
    • TEAM OF TEACHERS
    • SPACES
  • PROGRAMMES
    • OPEN CALLS FOR ARTISTS
    • OFFERS FOR LEARNING INSTITUTIONS
      • TRAINING AS METHOD
      • ALTERNATIVE COURSES
      • MANAGEMENT AS ART – THE ARTIST AS MANAGER
    • INTERNATIONAL THEATRE SUMMER ACADEMY
    • ALthattheatre – EXERCISE 40/40
      • MY THEATRE EDUCATION
      • POSTGRADUATE PERSPECTIVE
      • Impulse Seminars
      • Online Training
      • The 40 Days
      • Practical Information
    • INTERNATIONAL DIRECTORS‘ AND TRAINERS‘ COLLOQUIUM
    • TEACHING PROFESSIONAL THEATRE PRACTICE
    • METHODIKA
      • IX METHODIKA 2021
    • WORLD THEATRE TRAINING LIBRARY
  • ONLINE THEATRE ACADEMY
  • IDEA CENTRE
    • VIDEO LECTURES
    • TEXTS
    • THE TEACHERS‘ VOICES
  • NETWORK
    • ITI WORLDWIDE
      • World Theatre Day 2021
    • ITI/UNESCO Network for Higher Education in the Performing Arts
      • Online Conference
    • EUROPEAN ASSOCIATION FOR THEATRE CULTURE
    • PARTNERS
    • ALUMNI
  • BOOKSHOP
  • CONTACT
    • CONTACT FORM
    • APPLICATION FORM
    • NEWSLETTER

Towards your Solo-Performance
World Theatre Training Institute AKT-ZENT / ITI

read in browser

Solo

The devised Monologue
30 Nov + 7 + 14 Dez
15-18:00 online

Workshop and individual coaching
with Christine Schmalor

“It is a great pleasure for me to see many interesting projects on stage that started in the SOLO course, as an idea or already on their way to realisation. Artists from all continents have exchanged their stories here and inspired each other… That’s why I really like to offer this course again.”

The SOLO course supports artists who are creating a monologue, a monodrama, a solo performance or their own devised theatre evening. It is likewise aimed at all those who are currently taking a fresh look at their audition repertoire.

In any case, you need a roadmap for your steps. Working on oneself and with oneself is a journey into the unknown with the very practical questions: How do I structure my own artistic path? What do I have to keep in mind? How do I work with myself? What tasks should I set myself so that I can really break new ground?

You might have already a vague subject or a collection of artistic material, but how to work with it? We will touch the following subjects:

  • The artistic work with a theme and its practical implementation.
  • Steps to unfold your creative mind-flow.
  • The process of creation through intertextuality: discovering new patterns of speech and thought that, in particular, inspire playfulness.
  • Working with the artistic image – finding it, shaping it and stepping into it.
  • The understanding of composition as the basis and compass of designing a mono-performance or a monologue.

Theory and insights want to be put into practice artistically; therefore, in all topics, joint practical exercises will help to understand more and to make the often lonely process both enjoyable and productive.

The SOLO course consists of 3 joint meetings with 3 hours each; with lecture, discussion and practical exercises to try out immediately together. After each meeting you will have a one-hour personal coaching session the following week to deepen the topic and apply it to your own project; dates by arrangement.
Each meeting has a clearly outlined theme, so you can choose to attend all or just one.

30 November
SOLO 1 – Above All
Finding my theme, defining it, opening it up in all dimensions – and above all – giving it a voice.

7 December
SOLO 2 – The creative mind flow
In the beginning was chaos. Intertextuality as a source and as a game – think big!

14 December
SOLO 3 – Composition
Organising chaos, but how? Discover the beauty and rules of composition as a basis, as a compass – and above all – as an artistic language.

Registration

“If you’re actively cooking up an idea, or if things are still a little thought in the back of your mind, I highly recommend these sessions with Christine. Honestly, they were a great investment in both myself and my practice.”
Claire Blennerhassett, actress, Ireland

We would be delighted if you would share our offers in your networks. Thank you!

+49 30 612 87 274

mail

akt.zent@berlin.de

World Theatre Training Institute AKT-ZENT / ITI

Post navigation

← Previous Post
Next Post  →
  • Imprint
  • Privacy Policy
  • Terms and Conditions Bookshop

Powered by WordPress .Theme: Frolic by Genex Themes