{"id":581,"date":"2018-04-04T17:10:23","date_gmt":"2018-04-04T16:10:23","guid":{"rendered":"https:\/\/aktzent.cramer-cons.de\/?page_id=581"},"modified":"2023-01-21T14:14:22","modified_gmt":"2023-01-21T13:14:22","slug":"international-directors-and-trainers-colloquium","status":"publish","type":"page","link":"https:\/\/theatreculture.org\/de\/programme\/international-directors-and-trainers-colloquium\/","title":{"rendered":"INTERNATIONAL DIRECTORS&#8216; AND TRAINERS&#8216; COLLOQUIUM"},"content":{"rendered":"<p><span id=\"result_box\" class=\"\" lang=\"de\"><span title=\"Since 1995, Dr Jurij Alschitz, along with both young and experienced directors and trainers, has been investigating the most relevant themes of the day and opening them up for practical application. \">Seit 1995 untersucht Dr. Jurij Alschitz gemeinsam mit jungen und erfahrenen Regisseuren und P\u00e4dagogen jedes Jahr <\/span><\/span><span id=\"result_box\" class=\"\" lang=\"de\"><span title=\"Since 1995, Dr Jurij Alschitz, along with both young and experienced directors and trainers, has been investigating the most relevant themes of the day and opening them up for practical application. \">neue <\/span><\/span><span id=\"result_box\" class=\"\" lang=\"de\"><span title=\"Since 1995, Dr Jurij Alschitz, along with both young and experienced directors and trainers, has been investigating the most relevant themes of the day and opening them up for practical application. \">zukunftsweisende Themen in Theorie und Praxis.<\/span><\/span><\/p>\n<p><span id=\"result_box\" class=\"\" lang=\"de\"><span title=\"Whether as part of European research projects or the \u21d2Theatre Olympics \u2013 this has always been about the innovation of new rehearsal and training methods, in short, about the theatre of tomorrow. \">Ob im Rahmen europ\u00e4ischer Forschungsprojekte oder in Kooperation mit Akademien und Schauspiel-\/Regieverb\u00e4nden, es geht immer um die Innovation der Proben- und Trainingsmethoden, kurz um das Theater von morgen.<br \/>\n<\/span><\/span><\/p>\n<p>Im R\u00fcckblick k\u00f6nnen die ersten 12 Jahre als Entwicklungsphase zum Master Programm <strong><span style=\"color: #008000;\"><a style=\"color: #008000;\" href=\"http:\/\/theatreculture.org\/de\/programme\/teaching-professional-theatre-practice\/\">Teaching Professional Theatre Practice<\/a><\/span><\/strong> gesehen werden: Seminare zur Fortbildung von Theaterlehrern und Regisseuren wurden an verschiedenen Orten in Europa durchgef\u00fchrt .<\/p>\n<p><span title=\"Since 2007, the International Directors\u2019 and Trainers\u2019 Colloquium has established itself as a regular gathering in the first week of January in Berlin.\">Seit 2007 hat sich das International Directors&#8216; and Trainers&#8216; Colloquium als regelm\u00e4\u00dfiges Treffen in der ersten Januarwoche in Berlin etabliert. <\/span><span title=\"It has become a good custom of WTTI at the start of each year to meet up with old colleagues and to welcome new ones.\">Es ist zu einem guten Brauch geworden, zu Beginn eines jeden Jahres alte Kollegen zu treffen und neue zu begr\u00fc\u00dfen. <\/span><span title=\"It provides the opportunity to recharge batteries, grapple with new ideas and build new contacts with colleagues from all over the world.\">Es bietet die M\u00f6glichkeit, Batterien aufzuladen, sich mit neuen Ideen auseinanderzusetzen und neue Kontakte mit Kollegen aus aller Welt zu kn\u00fcpfen. <\/span><span title=\"In the past, many of these new contacts have led to further artistic collaboration. \">In der Vergangenheit haben viele dieser neuen Kontakte zu einer weiteren k\u00fcnstlerischen Zusammenarbeit gef\u00fchrt.<\/span><\/p>\n<p><span title=\"In 2018, we celebrated the XXV International Directors\u2019 and Trainers\u2019 Colloquium with the theme: The new Role of the Role.\">Im Januar 2018 wurde das XXV. International Directors&#8216; and Trainers&#8216; Colloquium mit dem Thema:<em> Die neue Rolle der Rolle<\/em> gefeiert.<\/span><\/p>\n<p>Nach einer Pause, wurde die Tradition im Januar 2021 im Online-Format wieder aufgenommen.<\/p>\n<h3>Themen<\/h3>\n<table style=\"border-collapse: collapse; width: 99.733%; height: 269px;\" border=\"1\">\n<tbody>\n<tr>\n<td style=\"width: 9.86667%;\">2022<\/td>\n<td style=\"width: 90.1333%;\"><span style=\"color: #008000;\"><a style=\"color: #008000;\" href=\"https:\/\/online-theatre-academy.com\/school-of-jurij-alschitz\/the-basis-of-quantum-pedagogy\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Basis of Quantum Pedagogy: Theory &#8211; Methodology &#8211; Training<\/a><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2021<\/td>\n<td style=\"width: 90.1333%;\"><span style=\"color: #008000;\"><a style=\"color: #008000;\" href=\"http:\/\/theatreculture.org\/wp-content\/uploads\/2020\/12\/IDTC_2021.DE_.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Quantum Cognition \u2013 The emptiness of the role, the stage, the actor<\/a><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2018<\/td>\n<td style=\"width: 90.1333%;\">Die neue Rolle der Rolle<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2017<\/td>\n<td style=\"width: 90.1333%;\">40\/40 Eine neue Dimension des Theatertrainings<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2016<\/td>\n<td style=\"width: 90.1333%;\">The Theatre of the Sphere &#8211; approaching the HAIKU-Method<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2015<\/td>\n<td style=\"width: 90.1333%;\">The actor on the post-dramatic stage<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2014<\/td>\n<td style=\"width: 90.1333%;\">Training als Methode<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2013<\/td>\n<td style=\"width: 90.1333%;\">Ethik und Theater von Stanislawskij\u00a0bis heute<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2012<\/td>\n<td style=\"width: 90.1333%;\">Theater als Zeitmaschine<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2011<\/td>\n<td style=\"width: 90.1333%;\">Worte, Worte, Worte<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2010<\/td>\n<td style=\"width: 90.1333%;\">Die Pause auf der B\u00fchne<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2009<\/td>\n<td style=\"width: 90.1333%;\">Teil I &#8211; Die Kunst der Analyse \/ Teil II &#8211; Die Kunst der Probe<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2008<\/td>\n<td style=\"width: 90.1333%;\">Teil I &#8211; 40 Fragen an eine Rolle \/ Teil II &#8211;\u00a0Einf\u00fchrung in die Methode \u201eB\u00fchne-Tisch-B\u00fchne\u201c<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 9.86667%;\">2007<\/td>\n<td style=\"width: 90.1333%;\">Die Kunst der Komposition f\u00fcr die Regie, Choreographie und Lehre<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Seit 1995 untersucht Dr. Jurij Alschitz gemeinsam mit jungen und erfahrenen Regisseuren und P\u00e4dagogen jedes Jahr neue zukunftsweisende Themen in Theorie und Praxis. Ob im Rahmen europ\u00e4ischer Forschungsprojekte oder in Kooperation mit Akademien und Schauspiel-\/Regieverb\u00e4nden, es geht immer um die Innovation der Proben- und Trainingsmethoden, kurz um das Theater von morgen. Im R\u00fcckblick k\u00f6nnen die [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":941,"parent":1505,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>INTERNATIONAL DIRECTORS&#039; AND TRAINERS&#039; COLLOQUIUM - World Theatre Training Institute AKT-ZENT\/ITI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatreculture.org\/de\/programme\/international-directors-and-trainers-colloquium\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"INTERNATIONAL DIRECTORS&#039; AND TRAINERS&#039; COLLOQUIUM - World Theatre Training Institute AKT-ZENT\/ITI\" \/>\n<meta property=\"og:description\" content=\"Seit 1995 untersucht Dr. Jurij Alschitz gemeinsam mit jungen und erfahrenen Regisseuren und P\u00e4dagogen jedes Jahr neue zukunftsweisende Themen in Theorie und Praxis. 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