{"id":1330,"date":"2018-09-16T19:43:10","date_gmt":"2018-09-16T18:43:10","guid":{"rendered":"https:\/\/aktzent.cramer-cons.de\/?page_id=1330"},"modified":"2019-08-25T16:09:20","modified_gmt":"2019-08-25T15:09:20","slug":"impressionen","status":"publish","type":"page","link":"https:\/\/theatreculture.org\/de\/impressionen\/","title":{"rendered":"IMPRESSIONEN"},"content":{"rendered":"<h2>Eine kleine Auswahl k\u00fcnstlerischer Unternehmungen<\/h2>\n<h3>Reise nach Jelez<\/h3>\n<p>https:\/\/vimeo.com\/9355840<\/p>\n<div class=\"_2d6A1 _2nDfC _2OvuK\">\n<div class=\"_1dWiV\" dir=\"auto\" data-description-content=\"true\">\n<p><span id=\"result_box\" class=\"\" lang=\"de\"><span class=\"\">Diese kurze Dokumentation wurde von der italienischen Theatergruppe &#8222;Arterie&#8220; in Auftrag gegeben. Sie hat unter der Leitung von Riccardo Palmieri diese einzigartige Reise f\u00fcr die European Association for Theatre Culture organisiert. E<\/span><span class=\"\">ine Reise, die im Januar 2010 in das Herz Russlands f\u00fchrte, um den 150. Geburtstag des gro\u00dfen russischen Dramatikers Anton Tschechow an dem Ort zu feiern, an dem er &#8211; in <\/span><\/span><span id=\"result_box\" class=\"\" lang=\"de\"><span class=\"\"><em>Die M\u00f6we &#8211; <\/em><\/span><\/span><span id=\"result_box\" class=\"\" lang=\"de\"><span class=\"\">die Schauspielerin Nina Zarechnaja im Zug 4.Klasse zu ihrem Engagement f\u00fcr den Winter reisen lie\u00df.<\/span><\/span><\/p>\n<p><span class=\"\">Jurij Alschitz hatte dieses Projekt <\/span><span class=\"\">initiiert <\/span><span class=\"\">und reiste mit 100 Schauspielern nach Moskau und dann mit dem Nachtzug in die Provinzstadt Jelez.<\/span> <span class=\"\">Dort arbeiteten sie zwei Tage lang eng mit dem russischen Ensemble des Stadttheaters zusammen und lie\u00dfen einige Erinnerungen zur\u00fcck.<\/span><\/p>\n<p><strong>Christine Schmalor: Reise nach Jelez \u2013 das Nina-Projekt zum 150sten Geburtstag von Anton Pawlowitsch Tschechow <\/strong><\/p>\n<p><span style=\"color: #008000;\"><a style=\"color: #008000;\" href=\"http:\/\/theatreculture.org\/wp-content\/uploads\/2018\/08\/Reise-nach-Jelez_2010.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u21d2Download pdf<\/a><\/span><\/p>\n<p><strong>Claudio Facchinelli: La figlia del generale. Un\u2019indagine storica e un\u2019ipotesi fantastica<\/strong><\/p>\n<p><a href=\"http:\/\/theatreculture.org\/wp-content\/uploads\/2018\/08\/Unindagine-storica-e-unipotesi-fantastica.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #008000;\">\u21d2Download pdf<\/span><\/a><\/p>\n<\/div>\n<\/div>\n<p><iframe loading=\"lazy\"  id=\"_ytid_82396\"  width=\"780\" height=\"439\"  data-origwidth=\"780\" data-origheight=\"439\"  data-relstop=\"1\" src=\"https:\/\/www.youtube.com\/embed\/Wjza6rVhExM?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<div class=\"_2d6A1 _2nDfC _2OvuK\">\n<h3>Dostojewskij Wei\u00dfe N\u00e4chte<\/h3>\n<p>Berlin 2003, mit Judith von Radetzky, Stefan Reck, Christine Schmalor; Regie: Jurij Alschitz<\/p>\n<p>F\u00fcr dieses Projekt wurde das Studio von AKT-ZENT von dem italienischen Maler Aldo Andreolo umfassend neu gestaltet.<\/p>\n<p><iframe loading=\"lazy\"  id=\"_ytid_93169\"  width=\"780\" height=\"439\"  data-origwidth=\"780\" data-origheight=\"439\"  data-relstop=\"1\" src=\"https:\/\/www.youtube.com\/embed\/lqlSfpq7Qlo?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<\/div>\n<h3>Methodika 2007<\/h3>\n<div id=\"gt-res-content\">\n<div id=\"gt-res-dir-ctr\" class=\"trans-verified-button-small\" dir=\"ltr\"><span id=\"result_box\" class=\"\" lang=\"de\"><span class=\"\">&#8222;The Theatre of Centaur&#8220;.<\/span> <span class=\"\">Rund 100 Spezialisten aus aller Welt nahmen an der IV<\/span> <span class=\"\">METHODIKA vom 5. bis 11. November 2007 in Venedig teil.<\/span> <span class=\"\">Das Festival er\u00f6ffnet neue Wege in der Entwicklung des Theatertrainings und der Entwicklung methodischer Ans\u00e4tze,<\/span> vermittelt Wissen an Theaterfachleute und Wissenschaftler <span class=\"\">und diskutiert \u00fcber die Lehre an Theaterschulen sowie \u00fcber Training im Theater selbst.<\/span><\/span><\/div>\n<div dir=\"ltr\"><\/div>\n<\/div>\n<div class=\"_2d6A1 _2nDfC _2OvuK\">\n<div class=\"_1dWiV\" dir=\"auto\" data-description-content=\"true\">\n<p><iframe loading=\"lazy\"  id=\"_ytid_99984\"  width=\"780\" height=\"585\"  data-origwidth=\"780\" data-origheight=\"585\"  data-relstop=\"1\" src=\"https:\/\/www.youtube.com\/embed\/YNFYnmbK0uk?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=0&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eine kleine Auswahl k\u00fcnstlerischer Unternehmungen Reise nach Jelez https:\/\/vimeo.com\/9355840 Diese kurze Dokumentation wurde von der italienischen Theatergruppe &#8222;Arterie&#8220; in Auftrag gegeben. Sie hat unter der Leitung von Riccardo Palmieri diese einzigartige Reise f\u00fcr die European Association for Theatre Culture organisiert. Eine Reise, die im Januar 2010 in das Herz Russlands f\u00fchrte, um den 150. Geburtstag [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatreculture.org\/de\/impressionen\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI\" \/>\n<meta property=\"og:description\" content=\"Eine kleine Auswahl k\u00fcnstlerischer Unternehmungen Reise nach Jelez https:\/\/vimeo.com\/9355840 Diese kurze Dokumentation wurde von der italienischen Theatergruppe &#8222;Arterie&#8220; in Auftrag gegeben. Sie hat unter der Leitung von Riccardo Palmieri diese einzigartige Reise f\u00fcr die European Association for Theatre Culture organisiert. Eine Reise, die im Januar 2010 in das Herz Russlands f\u00fchrte, um den 150. Geburtstag [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theatreculture.org\/de\/impressionen\/\" \/>\n<meta property=\"og:site_name\" content=\"World Theatre Training Institute AKT-ZENT\/ITI\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/theatreculture.org\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-25T15:09:20+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"1\u00a0Minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/theatreculture.org\/#organization\",\"name\":\"World Theatre Training Institute AKT-ZENT\",\"url\":\"https:\/\/theatreculture.org\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/theatreculture.org\/\",\"https:\/\/www.instagram.com\/worldtheatretraining\/\",\"https:\/\/www.youtube.com\/@worldtheatretraininginstit4622\",\"https:\/\/en.wikipedia.org\/wiki\/World_Theatre_Training_Institute\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/theatreculture.org\/#logo\",\"inLanguage\":\"de\",\"url\":\"https:\/\/theatreculture.org\/wp-content\/uploads\/2018\/02\/maennchen_quadrat_gruen.jpg\",\"contentUrl\":\"https:\/\/theatreculture.org\/wp-content\/uploads\/2018\/02\/maennchen_quadrat_gruen.jpg\",\"width\":1435,\"height\":1435,\"caption\":\"World Theatre Training Institute AKT-ZENT\"},\"image\":{\"@id\":\"https:\/\/theatreculture.org\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/theatreculture.org\/#website\",\"url\":\"https:\/\/theatreculture.org\/\",\"name\":\"World Theatre Training Institute AKT-ZENT\/ITI\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/theatreculture.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/theatreculture.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/theatreculture.org\/de\/impressionen\/#webpage\",\"url\":\"https:\/\/theatreculture.org\/de\/impressionen\/\",\"name\":\"IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI\",\"isPartOf\":{\"@id\":\"https:\/\/theatreculture.org\/#website\"},\"datePublished\":\"2018-09-16T18:43:10+00:00\",\"dateModified\":\"2019-08-25T15:09:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/theatreculture.org\/de\/impressionen\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/theatreculture.org\/de\/impressionen\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/theatreculture.org\/de\/impressionen\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/theatreculture.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"IMPRESSIONEN\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theatreculture.org\/de\/impressionen\/","og_locale":"de_DE","og_type":"article","og_title":"IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI","og_description":"Eine kleine Auswahl k\u00fcnstlerischer Unternehmungen Reise nach Jelez https:\/\/vimeo.com\/9355840 Diese kurze Dokumentation wurde von der italienischen Theatergruppe &#8222;Arterie&#8220; in Auftrag gegeben. Sie hat unter der Leitung von Riccardo Palmieri diese einzigartige Reise f\u00fcr die European Association for Theatre Culture organisiert. Eine Reise, die im Januar 2010 in das Herz Russlands f\u00fchrte, um den 150. Geburtstag [&hellip;]","og_url":"https:\/\/theatreculture.org\/de\/impressionen\/","og_site_name":"World Theatre Training Institute AKT-ZENT\/ITI","article_publisher":"https:\/\/www.facebook.com\/theatreculture.org\/","article_modified_time":"2019-08-25T15:09:20+00:00","twitter_card":"summary_large_image","twitter_misc":{"Gesch\u00e4tzte Lesezeit":"1\u00a0Minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/theatreculture.org\/#organization","name":"World Theatre Training Institute AKT-ZENT","url":"https:\/\/theatreculture.org\/","sameAs":["https:\/\/www.facebook.com\/theatreculture.org\/","https:\/\/www.instagram.com\/worldtheatretraining\/","https:\/\/www.youtube.com\/@worldtheatretraininginstit4622","https:\/\/en.wikipedia.org\/wiki\/World_Theatre_Training_Institute"],"logo":{"@type":"ImageObject","@id":"https:\/\/theatreculture.org\/#logo","inLanguage":"de","url":"https:\/\/theatreculture.org\/wp-content\/uploads\/2018\/02\/maennchen_quadrat_gruen.jpg","contentUrl":"https:\/\/theatreculture.org\/wp-content\/uploads\/2018\/02\/maennchen_quadrat_gruen.jpg","width":1435,"height":1435,"caption":"World Theatre Training Institute AKT-ZENT"},"image":{"@id":"https:\/\/theatreculture.org\/#logo"}},{"@type":"WebSite","@id":"https:\/\/theatreculture.org\/#website","url":"https:\/\/theatreculture.org\/","name":"World Theatre Training Institute AKT-ZENT\/ITI","description":"","publisher":{"@id":"https:\/\/theatreculture.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theatreculture.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/theatreculture.org\/de\/impressionen\/#webpage","url":"https:\/\/theatreculture.org\/de\/impressionen\/","name":"IMPRESSIONEN - World Theatre Training Institute AKT-ZENT\/ITI","isPartOf":{"@id":"https:\/\/theatreculture.org\/#website"},"datePublished":"2018-09-16T18:43:10+00:00","dateModified":"2019-08-25T15:09:20+00:00","breadcrumb":{"@id":"https:\/\/theatreculture.org\/de\/impressionen\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theatreculture.org\/de\/impressionen\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/theatreculture.org\/de\/impressionen\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/theatreculture.org\/"},{"@type":"ListItem","position":2,"name":"IMPRESSIONEN"}]}]}},"_links":{"self":[{"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/pages\/1330"}],"collection":[{"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/comments?post=1330"}],"version-history":[{"count":7,"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/pages\/1330\/revisions"}],"predecessor-version":[{"id":6573,"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/pages\/1330\/revisions\/6573"}],"wp:attachment":[{"href":"https:\/\/theatreculture.org\/wp-json\/wp\/v2\/media?parent=1330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}